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Sunday, May 1, 2016


Already home

(Photo by Harry Matthews)
(Photo by Harry Matthews)
Harry Matthews explains his route from Brooklyn

At an opening recently in Woodstock a friend of mine who had grown there turned to a friend of his who had asked me if I was a local. “No, he’s an import,” he said.
What he said is true. I have only lived here for seven years But after a lifetime of nomadic-gypsy ramblings and far-flung peregrinations all over the world, I was thinking that I had found my “forever” home, like a feral waiting to be adopted.
So the “import” comment hurt a bit. Not much, but enough to make me wonder how long it would take to feel like a non-invasive part of the landscape where I’ve made my home. I’ve fallen for the Catskills and the Hudson Valley like no other place I’ve lived. Pinpointing exactly why sometimes seems as futile as nailing jello to a tree. What is wonderful about any place is often intangible, making it hard to condense to a few rough words. I will try.
Not wanting to raise their family in the city yet unwilling to be no more than a two-hour drive away, my parents took a map, drew a 90 mile radius around Manhattan, and started looking for houses within that circle. The Hudson Valley was a contender, as was Connecticut. But they ended up buying a wonderfully rundown 250-year-old house on the banks of the Delaware River outside New Hope in Bucks County, PA.
It was a lovely place to grow up, and in some ways very similar to Woodstock: hippies, artists, rolling hills and woodlands to explore, and lots of transplants from New York, which made my parents feel at home. But I never really felt content there and got out as soon as I could, moving first to Philadelphia, then to Manhattan and Brooklyn.
Over my almost 20 years in Brooklyn I travelled often, spending close to five of those years back and forth to India, England, France and Spain. By the age of 40 I was tired and in need of a place to settle down.
Brooklyn had changed. Or maybe I had. I wanted grass under my feet, streams to swim in, mountains to gaze at (and occasionally climb), and wildlife around beyond pigeons and rats.
Conveniently around this time I got evicted so my loft could be converted into a high-priced luxury condo. I halfheartedly looked for another space, but prices had skyrocketed beyond my reach. So I put everything in storage and drove to the Adirondacks to stay in a cabin my great-grandparents had built there.
By September it was getting cold. Again it was time to move on. Since I had a brother living in the village of Catskill, I drove down. On the second day there I made an impulsive decision, renting a small house on Hutchin Hill Road in Shady owned by a friend of my brother. I knew no one. I had no job and little savings, but somehow I knew I had been drawn here for some reason. That was seven years ago.
Before moving here I had known little about the area. I had been passing through my whole life, driving up I-87 to our family’s cabin. I would often scoff as friends would point at Overlook and ask me if those were the Adirondacks. “No,” I would answer with arrogant dismissiveness. “The Adirondacks are real mountains, those are just hills.” I had no idea what I was talking about. Though geologists might have agreed with me, the Catskills are truly spectacular.
Why do we come to be here, whether for a weekend visit or the rest of our lives? What is it about these mountains, this river that continuously draws people in?
Since the time of the Hudson River School, the founding of Byrdcliffe and Maverick, the Millbrook LSD scene of Leary and Alpert, among others, our area has been a safe haven, attracting uniquely creative people from all over the world seeking fresh air, and space to be their own freaky selves. That’s why I came here.
The loss of manufacturing and the desolation of main streets at the hands of big-box stores had left many once-vibrant towns stark and empty of life and commerce. The new life being breathed into many places now is a homemade, unprocessed life.
Like Beacon and Kingston, Saugerties and Hudson, a revitalization is afoot that was hardly there when I arrived. (Not that I had anything to do with it, I just hide out in the woods.) Though gentrification has crept into some parts, it should not be confused with the homegrown inspiration at the core of this change.
Take, for example, the Masters On Main Street project begun by Fawn Potash and the Greene County Council on the Arts. They turned the many empty storefronts along Catskill’s Main Street into pop-up gallery spaces, showing the works of students in fine-arts master’s programs around the country. Soon people were parking their cars and walking the street, remembering what a great place Main Street could be. Now, five years on, every one of those empty storefronts is filled: a used bookstore, a couple of antiques shops, a new farm-to-table restaurant, a cafe, an artist making handmade books and another making handmade toys.
Lately I’ve read how one local town or another is being called the new “Williamsburg North” or “Greenpoint on the Hudson. Though these ridiculous namings seem nauseatingly distressing at first, there is something good in it. What I found in Williamsburg when I first moved there in 1988 was a forgotten immigrant neighborhood with cheap rents in big empty loft buildings, good Polish and Latino food, and close proximity to Manhattan. Though it was almost impossible to get a taxi to take you over the bridge, and harder to get friends to visit, the L train platform was always empty at rush hour and you could still see Shorty Jackson at Teddy’s. The neighborhood was rough, but we artists and musicians had a desire to create our own oasis out of what seemed a cultural desert.
That same energy I felt then seems to be happening here; artists, musicians, craft brewers, organic farmers, etc., doing their things and making this again a vibrantly creative place to be. From BSP and the O+ festival in Kingston, to the Hudson Valley Dance Festival in Catskill, and The Spiegeltent at Bard, the area is abounding with artistic happenings to be a part of. It seems like every new restaurant is now farm-to-table, and everyone wants to know where what they eat comes from. People want small-batch, organic, locavore, homemade and handmade things. Folks here are cooking, making, and growing all of them. And when you live in an area of such fertile soil and busy famers, it is nice to be able to tell visitors that it all comes from right up the road.
On our old farm outside of Palenville we have a cottage that we rent out via a home-sharing website, mostly to couples desperately needing an escape from the city. Invariably, when they get out of the car and smell the grass, the rich soil in the air, the flowers, hearing the creek out back and birds in the trees, the sense of relief on their faces is palpable. They want to know about farm markets, and I direct them to Jim and Irene at Story Farms for locally smoked trout, great veggies and maple syrup. They want delicious local food and I tell them of the fresh-baked wonders from the lovely women at Circle W in Palenville, or brunch at Miss Lucy’s or Duo. They ask about locals, and I let them know that they mostly don’t bite, that is, unless you ask them to. They ask for recommendations on the best swimming holes, hiking trails, music venues, art galleries, and without much thought I can steer them to amazing world-class places for each, all within a ten-to-30-minute drive. If I listed all the places I love in these categories, we’d be here all day.
All in all, home is what one makes of it, whether one is an import or a local. It’s possible that I wouldn’t appreciate the area with the same passion had I grown up here that I get from having discovered it for myself. (Take that, Henry Hudson!). I may never be considered a local in the place I have chosen as my home, and in the end that’s okay. I’ve never really been a local anywhere, and maybe I’ll never be one. I once asked Patty Harvey, the proprietor of the Circle W, how long I had to live here before I was considered a local? “You might be waiting a very long time,” she laughed.
That’s cool, I thought, because I’m not going anywhere. I’m already home.

My thoughts on marriage

14th century French manuscript image of courtship.
14th century French manuscript image of courtship.
Lately the Catskills have become one of the prime areas for destination weddings. New venues, from renovated barns to golf courses and even resuscitated Borscht-Belt resorts, are popping up all over the place Some couples choose to drop hundreds of thousands on a super-deluxe fully planned soiree at a swank Hudson Valley mansion, Others are happy with the simplest of potluck ceremonies in an upstate friend’s backyard under a homemade arbor.
On the mid-pricier side is a farm up the road from us that operates as a wedding venue. According to their website, they are booked solid through next summer. That’s a lot of weddings!
As we have one of the closest rentable cottages to the farm, we regularly host couples attending these events. So I often hear about the celebrations; all lovely and romantic, hipster cool (ack!), with beautiful flower-draped brides and beard-dripped grooms (or vice versa), happening deejays, all set before the backdrop of our abounding nature and lovely mountain views.
Speaking of views, here are a few of mine on the subject of marriage.
This past December my parents celebrated their fiftieth wedding anniversary at the Century Club in Manhattan, inviting over a hundred of their closest friends and family for a big wonderful party. Fifty years earlier they had gotten hitched before a judge at the old municipal building downtown, with only my father’s first cousin in attendance as a witness. After all those intervening years of moving houses, moving countries, raising four kids and lots of their kids’ friends, all my mother wanted was the party she didn’t have when she married my father.
In their defense, it had been the second marriage for each of them. Having had big bashes for each of their first nuptials, they thought a quiet civil ceremony more appropriate
Fifty years in, they finally were getting the party they deserved, celebrating a union that worked. And through so many ups and downs they now were closer and more in love than ever. Through all the decades of their marriage, when divorce was so rife, it was truly an accomplishment that their relationship had survived.
Growing up in the Seventies it seemed to me that my parents were one of the few couples among my friends’ parents who didn’t split up, and in so doing they set a good precedent for me and my siblings. Due to their example, though certain past lovers might strongly disagree, I am inherently a fan of both commitment and monogamy. In my mind, marriage doesn’t necessarily represent these beliefs. I’ve seen those lofty vows broken too often not to be a bit cynical.
I do crave what my parents were able to achieve through their tenacity and hard work. I’ve never felt the need to get married, though, being more of the Joni Mitchell school of “we don’t need no piece of paper from the city hall, keeping us tied and true.” Not that I begrudge those who choose to enter into a state of legal joinery, it’s just never been my path.
Over the years I’ve had female friends refer to my lack of interest in this supposed venerable institution as stark evidence of my avoidance of growing up (who, me?). One even went so far as to say that she would never trust a man in his forties who hadn’t been married, which was a bit of a shock. Seeing as how so many marriages end in divorce, I’m not sure how a divorced man would be more trustworthy than the never-married me. But people often become strange and unrecognizable when it comes to their ideas about marriage and weddings.
Take, for example, a term like “bridezilla.” The sucking chest wound that is reality television (even for those of us who don’t watch it) has so insinuated its way into our culture, debasing it at every step along the way, that the shock I recall having when I first encountered the term “bridezilla” was astounding. It was as though women were suddenly afforded the right to behave badly on what should be a beautiful, solemn and wonderful day. And as for men, the two bachelor parties I’ve been to were both held at incredibly seedy strip clubs where I watched my soon to be married friends writhe gleefully beneath scantily clad and grinding lap dancers. Are these not bad precedents to set at the beginning of what’s meant to be a lifelong journey of love and commitment?
Anyway, enough of my cynicism.
Gay marriage is now legal throughout the U.S., which thrills me and lessens my cynicism considerably about this institution, and this country.
Four years ago, as my partner Catherine was getting ready for work, I cornered her in her closet, got down on one knee, and put an antique diamond ring on her finger. We didn’t need a tropical beach at sunset or a romantic dinner for the mood to be just so. We were in the presence of our three cats, and that was enough. It felt odd at first to do it, but it also felt right.
Since that morning we’ve unconsciously avoided setting a date for a wedding, but interestingly have slowly begun to refer to each other as husband and wife. And who knows, maybe that’s enough. I’m not saying assuredly that Joni was right, and that legally binding ourselves together might not make it all more real and solid, but for now we are happy, and our cats can’t tell the difference. Now all we need to do is have a really big party.

Big Works in the Big Room-"If Andy Goldsworthy has Nightmares..."

If Andy Goldsworthy has nightmares, they probably resemble Harry Mathews’ The Greene Man, a contemporary homage to the eponymous fertility figure of pagan mythology (eponymous, that is, except for that last “e” in “Greene,” which localizes this particular nature spirit in Greene County). Painstakingly constructed of intricately interwoven bits of driftwood – sticks, roots and branches – that the artist culled from his creekside property in the aftermath of Hurricane Irene, the stick figure seems to embody both the benign and chaotic aspects of nature, possessing a fierce, almost menacing quality that stands (or in this case, sits) in direct contrast to the patient skill of its making.-Mikhail Horowitz writing in the Woodstock Times, 2015.

Tuesday, November 18, 2014

Two of my latest sculptures...




  "Janus Squared"-8'x2' coat hanger, insulation wire, and random scrapped rust.


"Mama had a baby and its head popped off" 8'x4' Driftroots washed up on our property by Hurricane Irene, and nails.


These were both shown in Sept/Oct 2014 at the Greene County Council on the Arts.

Saturday, September 7, 2013

My life in India Making Films About The Bauls Of Bengal

A few articles...




An Article from The Woodstock Times, August 28th, 2013
By Paul Smart


Anthropoliths

Harry Matthews, whose standing stone 'Anthropoliths' will be showing at the Mountain Top Arboretum in the Greene County mountain town of Tannersville into the deepest color of the coming autumn, started his art after hiking through the fields of cairns and dolmens of the Celtic world. At first his practice was a meditation, finding the balance point between stones found in his old haunts throughout the Adirondacks. Eventually, they grew tall, straight… four or five rocks high. And Harry moved to the Catskills.
He’s now settled in the Kiskatom area of Catskill on a property of rolling meadows and looming hills and forests, surrounded by mountains and a bordering creek. And gardening… in addition to his music-making (including instrument invention), writing, and estate renovations.
The anthropoliths morphed last summer as part of a remarkable sculpture show in Athens, where they were held together with steel… and superbly placed overlooking the Hudson River and City of Hudson in the distance.
Now, Matthews’ works are situated amongst sublime mountain gardens overlooked my the high Catskills… and stone walls of nearby Onteora Park. It’s a stunning setting… made more sublime, and manageable somehow, by these new works… standing tall and silent, gnarled and temporary, yet somehow as eternal as all in view.
“The more I create the more my understanding of balance, of gravity, grows,” says the all-around artist my son Milo refers to as “Uncle Hootie.” “Eventually I found that the more I relied on their perchings the less room I had for their movement. To me they are ancient, petrified, yet free, emblematic remnants of an older time, ever graceful in their re-articulated weight.” 
And also beautiful. And awesome in the various levels of talents, natural combination of the simple and nature’s complexities, and the epiphany-inducing, involved in their creation… and fixing.
To think, he does this on commission, too, for anyone’s garden... or arboretum.

The Arboretum Rocks!  Anthropoliths: The Stone Sculpture of Harry Matthews, up through October 14th with a Sunday, September 1 artists reception, Mountaintop Arboretum, Rt. 23C and Maude Adams Rd., Tannersville, NY 12485, 518 589-3903www.mtarboretum.org.

Friday, August 2, 2013

Mountain Top Arboretum Show


The Mountain Top Arboretum is excited to announce
"Anthropoliths", an outdoor art installation of stone sculptures by artist Harry Matthews.